In this example because the light source position is able to illuminate the foreground, the foreground shows multiple color, detail and form.This example I have linked to has the light source in the back so the foreground is silhouetted:.
I have linked a few examples of Atmospheric Perspective so you can immediately see what I am referring to: If you have character activity or focused activity on primary objects somewhere in the scene that will attract more attention and allow the poles to blend into the background Utilize size, color and tone so the closer they are in the landscape the larger and more colorful they would be then they would gradually decrease in size and their color would have an increasing amount of the sky color blended into them. I would use many principles of Atmospheric Perspective. Then you would manually Keyframe their positions so they were properly placed as though they were located further into the distance. If you are using Essentials or Advanced the wires will have to be manually adjusted arcs. It will have parts with curve deformers attached to the wires if you using Premium. You can think of the poles and wires like a character rig. One approach to this might be to draw your poles from large to small. This is a cartoon world so you have some flexibility to get away with some things that would not be realistic in another context. OK so I imagine you would like these power poles and wires to adjust as you pan the camera around the scene.
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